Tidal Grain

A pinhole on the pier

A pinhole camera is the cheapest long lens-less exposure there is: a body cap with a hole drilled through it, a square of brass shim taped behind, and a hole in the shim made with the tip of a needle. Nothing focuses, so nothing is ever out of focus; everything is equally, gently soft from the wet boards at your feet to the horizon.

How big a hole

There is a best diameter for every distance between hole and film. Too large and the image is a blur of overlapping discs; too small and diffraction smears it instead. The usual rule of thumb is 1.9 times the square root of the distance multiplied by the wavelength of light, which for green light gives the figures below.

Hole to filmBest holeWorks out to
25 mm0.22 mmf/112
50 mm0.32 mmf/159
75 mm0.39 mmf/194
100 mm0.45 mmf/224
150 mm0.55 mmf/275

A hole a tenth of a millimetre off is not worth a second attempt. A ragged hole is: sand the dimple flat with fine wet paper and look at it against a lamp through a loupe. It should be round and have no burr.

What the exposure is

Meter at f/16 and count stops. From f/16 to f/159 is a little over six and a half stops, so a metered 1/125 s becomes about three quarters of a second before the film's own reluctance is counted, and at those times it must be counted. On an overcast afternoon the metered 1/30 s at f/16 turns into three seconds on the dial and something like five on the film.

A soft square picture of groyne posts and a bright horizon
Pinhole, 6×6, fourteen seconds. Soft everywhere, sharp nowhere.

What goes wrong

The first roll is always for calibration. Bracket by a whole stop either side, write the times on the back of a hand, and read them against the negatives a day later.

Older: A tide table is an exposure tool